Friday 19 December 2008

The Magic E Cake!!!



This was my submission to the typo-gateaux competition lots of colour and sugary goodness. I chose the letter 'E' because of all the e-numbers that's probably in the cake...yum...and yes 'E' is for Emma of course.
And to top it of I came runner up in the competition and won a small tin of spaghetti hoops!!!hell yeahhhh.

Tuesday 25 November 2008

Evaluation for Design for Print.

1. What skills have you developed through this module and how effectively do you think you have applied them?
Firstly learning about all the printing processes available in print was useful and in doing so this allows me to take it in to consideration what methods of print to use with my work. As I hadn't really heard of print processes such as Rotogravure before and it was good to know how this method works. Also, Letter Press which was very useful as I have always wanted to learn about the press and what could be produced from such a process. I would have liked to use this method of printing with this project but I feel that it didn't really fit with what I was producing.
I also feel that I have more of an awareness for colour methods and what to take in to consideration when designing something on screen and then taking it in to print. Also it was useful to find out how much printing costs are and summing up how much it would cost to print such a product, which proved to be quite costly in some cases.
2. What approaches to generating work and solutions to problems have you developed and how have they helped?
I found that creating thumbnails for my layouts helped within the decision making on my final presentation boards. Producing small scale thumbnails for my products also provided the in this decision making also.
3. What strengths can you identify in your work and how have/will you capitalize on these?
I have looked in to the different print processes that were available for my product. Therefore allowing me to have some idea of how my designs would be produced commercially and the cost values as well. I also feel that through the use of thumbnail layout sheets i have been able to explore the design values of my product.
4. What weaknesses can you identify in your work and how could you exploit these more fully?
Firstly I feel that some of my designs could have been explored a little further and I could have experimented more with the 'food photography' side of my project(as the photography side of things didn't really work out that well) More research in to the methods of promotion in the food industry.
5. Identify five things that you will do different next time and what do you expect to gain from doing these?
  • get access to screen print earlier. Therefore I have more time to print as I ran out of time to use this printing method within this project.
  • make design decisions sooner. So that my work can move on at a pace.
  • experiment more with my designs do that I have a varied range of possible designs.
  • be more organized when it comes to printing my presentation boards as I have found out that digital print can be a very time consuming place near to a deadline!!!
  • be aware of my message I am trying to deliver and never loose track of this, as my work started to drift a little from not doing so.
6.How would you grade yourself on the following areas:
5= excellent, 4 = very good, 3 = good, 2 = average, 1 = poor

Attendance:4
Punctuality:4
Motivation:3
Commitment:3
Quantity of work produce:3
Quality of work produced:3
Contribution to the group:3


Monday 24 November 2008

Optical Disc.


Optical Disc
2008

Printed white on A1 240gsm holographic mirri. Edition of 50 posters. The design celebrates 50 years of the optical disc whilst paying homage to Gottlieb Soland's 1957 grammo-grafik poster.

Printed by K2 screen

A Pantone Christmas!!!



A not-for-profit exploration into the colours that shape our Christmas. Frustrated at the plethora of Christmas reds, whites and greens those pesky designers at Raw Design Studio are exploring what colours people really associate with their Christmas.

This is an awesome concept for a collaborative project, getting people to have their say on what a certain pantone colour reminds them of at Christmas.lovely stuff.

Monday 17 November 2008

PB&B Sachets Mock ups.


These sachets of crunchy/smooth peanut butter are going to be included within my DIY pack so you have the choice of either kind.
As these would be printed using the print process of flexography, this is the closest I could get to the real thing.

Sunday 16 November 2008

more form the SHCH...



These really are amazing as there all hand drawn, I especially think the top image works really well and is quite ironic as the type portrays 'glamour' yet it is written on to toilet roll?!?!?

Sunday 9 November 2008

Retro Business Cards.


These business cards are a great example of how well letterpress business cards can reflect you or your company. The luxurious quality of the paper combined with great design and the unique look of letterpress printing will make your business card and you stand out from everyone else.
These were created using black ink and printed on to 100% cotton paper.

Napkin Type.



SHCH graphics group:
lovely use of type all hand rendered onto napkins.

Bermuda:Samples.


A lot of what Bermuda print are in leaflet/booklet form on various uncoated and coated stocks. Some of what they do is on a large scale in the form of posters, some can be seen in the background of the photos of the printers below.

Print Visit:Bermuda Digital Print.





On Friday I went to visit a small company called Bermuda Print and I got shown around their department. However they only specialize in digital print, but what they had to show me was all useful for the current brief and they were very happy to answer my questions. It was very informative to be shown the process of print especially on such a large scale in some cases. They also gave me a bunch of samples to take away which was very good of them.

Friday 7 November 2008

screen print induction.




Two colour screen prints:
This was quite a useful refresher to screen print since I hadn't printed in a while. It was an interesting image we had to use and we experimented with the registration of the type to offset the image, it had quite a nice effect.

LETTERPRESS!!!

Yeyy finally got to do letterpress!!!Always wanted to know how this process worked and now I had the chance.
To create the above type I chose to use 18pt Clarendon Bold and 23pt leading.
Things to remember:
  • make sure all the notches on each letter are facing upwards so that the type reads correctly when printed.
  • use middles for the spaces between words.
  • use thins for the spacing between punctuation.
  • quads are used as padding to fill the gaps.
  • also when creating the said type start from left to right making sure that the type is arranged backwards so that it will be printed correctly.
I will definitely try to use this process again at some point?!?!?

Monday 3 November 2008

The process of printing book.



A BOOK OUTLINING THE PHILOSOPHY AND WORKING METHODS OF PRINTING COMPANY TEAM, AS WELL AS DEMONSTRATING THE USE OF INKS, FOILS AND FINISHES IN MULTIPLE PRINTING COMBINATION'S.
CONTAINS 64 PAGES, 24 WITH COLOUR DIAGRAMS. OFFSET LITHO 15 COLOURS PLUS FOIL BLOCKING, EMBOSSING, DIE CUTTING AND UV VARNISHING.

Tuesday 21 October 2008

Letterpress.

Flatbed Cylinder Press: The type or plate is locked in a chase which is then mounted on the flatbed of the press. Grippers on a rotating impression cylinder pick up a sheet of paper and as the cylinder revolves, the paper is pulled around it. The inked flatbed containing the letterpress plate then moves under the impression cylinder. The squeeze between the impression cylinder and the flatbed creates the printed impression on the paper. When the impression is complete, the flatbed returns to its original position and is inked for the next impression.

The letterpress process is referred to as a "relief" process because the printed image is produced from a plate in which the image area is slightly raised above the non-image surface of the plate. It is a direct printing method in that the inked plate applies the image directly to the substrate. Letterpress is one of the oldest printing processes and was the most widely used process until the middle of the 20th century when advances in other printing processes made it obsolete. Flexography, which is an updated version of letterpress, is now the dominate relief printing process.

The letterpress process utilizes an ink that is thick in consistency and is well suited for relief printing. A set of rollers deposits the ink on the raised image area of the type or plate, but ink is not deposited on the non-image areas. For this reason, letterpress plates do not require any dampening in order to keep the non-image areas free of ink. This makes the process a simple one and allows for consistent results, but the process still cannot match the quality of more sophisticated print processes.

Monday 20 October 2008

Gravure.

Gravure is a high quality printing process capable of producing printed images which have a continuous tone effect similar to a photograph. The gravure process utilizes a metal printing cylinder onto which the image is etched.

Gravure is used for many packaging applications, magazines, and pressure sensitive labels. Gravure is the preferred method of producing magazines and catalogs that have large circulations. An example of a high volume, high quality publication that utilizes rotogravure is the "National Geographic" magazine.

There are also many specialty items that are created with rotogravure including gift wrap, wallpaper, plastic laminates, printed upholstery, imitation wood grain finishes, and vinyl flooring. Many of the specialty items are printed on very wide presses. Some of them, such as those that print patterns on floor coverings, are up to 150 inches wide.

A gravure sheet-fed process is used for smaller runs for such items as limited edition prints and other artwork, photographic books, high denomination postage stamps, stock certificates, and some advertising pieces.

Flexography.

A relief printing process using rubber or plastic plates on a web-fed press and solvent liquid inks. Mainly used for packaging and for some newspapers.

Flexography is a printing process which utilizes a flexible relief plate that can be adhered to a printing cylinder. It is basically an updated version of letterpress. It much more versatile than letterpress in that it can be used for printing on almost any type of media including plastic, metallic films, cellophane, and paper. It is widely used for printing on the non-porous stocks required for various types of food packaging. It is also well suited for printing large areas of solid color.

Other common applications printed with flexography include gift wrap, wall covering, magazines, newspaper inserts, paperback books, telephone directories, and business forms.

Offset Lithography.

A print process where the image and non image areas are on the same surface plane of the plate. As water and grease don't mix, the surface of the plate is treated to attract ink and repel water.

Advantages of offset printing compared to other printing methods include:

  • Consistent high image quality. Offset printing produces sharp and clean images and type more easily than letterpress printing because the rubber blanket conforms to the texture of the printing surface.
  • Quick and easy production of printing plates.
  • The more you print, the less you pay per page, because most of the price goes into the preparation undergone before the first sheet of paper is printing and ready for distribution. Any additional paper print will only cost the client paper price (and ink), which is very minimal.

Sunday 19 October 2008

Pad printing.


Pad printing is a printing process that can transfer a 2-D image onto a 3-D object. This is accomplished using an indirect offset (gravure) printing process that involves an image being transferred from the printing plate (cliché) via a silicone pad onto a substrate (surface to be printed). Pad printing is used for printing on otherwise impossible products in many industries including medical, automotive, promotional, apparel, electronics, appliances, sports equipment and toys.

Example of the uses of Pad printing:
  • Letters on computer keyboards and calculator keys
  • TV and computer monitors
  • Identification labels and serial numbers for many applications.

Screen Print.


Screen printing has been used for centuries and although there have been many improvements with the technology, the process still consists of forcing ink through a stencil covered fabric or wire mesh which has been mounted in a sturdy frame. The ink goes through only the open areas of the stencil and is deposited onto a printing surface positioned below the frame. Screen printing is very versatile and it is often the only printing process capable of handling certain applications.

The equipment costs for screen printing are lower than other printing processes, but the rate of production is usually slower. Manual screen printing can be accomplished with only a few simple items: a sturdy frame, screen fabric, stencils, squeegees, and ink. Automatic press equipment is available which greatly speeds up the process, but it is no match for the output delivered by press equipment used for other print processes.

Screen printing can be performed on almost any type of material including paper, glass, fabric, plastic, wood, and metal. Products as varied as signs, posters, circuit boards, mugs, clothing, and soft drink bottles can be printed using the process. Screen printing is very useful when an image needs to be wrapped around an object or when images need to be printed onto oddly shaped manufactured objects.

Saturday 18 October 2008

Digital printing.


An impression printed from a digital press file via plate less application of text and images using ink jet fused toner, or liquid ink.

Friday 17 October 2008

Up Top Disco.



An identity and stationary for a night run by modular.Designs by Simon Bent.
A good use of mono tone especially on the business cards.

Thursday 16 October 2008

Hacienda 15th birthday poster.



This is a Blanka designed replica of the Mark Farrow-designed Haçienda 15th birthday poster, which is printed in three spot colours and a reflective ink.

As quoted from the serif website:

“We designed this poster to celebrate the 15th birthday of the Haçienda.” Farrow explains, “We had no idea at the time that it would be the club’s last. The code 51 15 25 05 97 (FAC 51 is 15 on 25 05 97) was printed in a reflective ink onto a grey background which rendered it almost invisible in daylight. The poster only came to life at night under the glare of car headlights. Our reasoning being that the message was only important to people who were out after dark.”

Sunday 12 October 2008

Franck Juncker.





some nice examples of the use of spot colour, within these images it seems that the spot colour is used to highlight a certain area of the image and works particularly well on a black background.