Friday, 19 December 2008
The Magic E Cake!!!
This was my submission to the typo-gateaux competition lots of colour and sugary goodness. I chose the letter 'E' because of all the e-numbers that's probably in the cake...yum...and yes 'E' is for Emma of course.
And to top it of I came runner up in the competition and won a small tin of spaghetti hoops!!!hell yeahhhh.
Tuesday, 25 November 2008
Evaluation for Design for Print.
- get access to screen print earlier. Therefore I have more time to print as I ran out of time to use this printing method within this project.
- make design decisions sooner. So that my work can move on at a pace.
- experiment more with my designs do that I have a varied range of possible designs.
- be more organized when it comes to printing my presentation boards as I have found out that digital print can be a very time consuming place near to a deadline!!!
- be aware of my message I am trying to deliver and never loose track of this, as my work started to drift a little from not doing so.
5= excellent, 4 = very good, 3 = good, 2 = average, 1 = poor
Attendance:4
Punctuality:4
Motivation:3
Commitment:3
Quantity of work produce:3
Quality of work produced:3
Contribution to the group:3
Monday, 24 November 2008
Optical Disc.
Optical Disc
2008
Printed white on A1 240gsm holographic mirri. Edition of 50 posters. The design celebrates 50 years of the optical disc whilst paying homage to Gottlieb Soland's 1957 grammo-grafik poster.
Printed by K2 screenA Pantone Christmas!!!
A not-for-profit exploration into the colours that shape our Christmas. Frustrated at the plethora of Christmas reds, whites and greens those pesky designers at Raw Design Studio are exploring what colours people really associate with their Christmas.
This is an awesome concept for a collaborative project, getting people to have their say on what a certain pantone colour reminds them of at Christmas.lovely stuff.
Monday, 17 November 2008
PB&B Sachets Mock ups.
Sunday, 16 November 2008
more form the SHCH...
Monday, 10 November 2008
Ten over six!!!
TenOverSix is an accessories boutique and installation space in L.A. TenOverSix, takes its name from the Mad Hatter's price tag in Alice in Wonderland. Shoe designer Kristen Lee, filmmaker Joe Cole, stylist Gina Correll, and designer Brady Cunningham are the wonders behind the incredible expertly curated wonderland.
Really nice design for the bag, its kept quite simple and clean but i think thats the beauty of it.
Sunday, 9 November 2008
Retro Business Cards.
These business cards are a great example of how well letterpress business cards can reflect you or your company. The luxurious quality of the paper combined with great design and the unique look of letterpress printing will make your business card and you stand out from everyone else.
These were created using black ink and printed on to 100% cotton paper.
Bermuda:Samples.
Print Visit:Bermuda Digital Print.
On Friday I went to visit a small company called Bermuda Print and I got shown around their department. However they only specialize in digital print, but what they had to show me was all useful for the current brief and they were very happy to answer my questions. It was very informative to be shown the process of print especially on such a large scale in some cases. They also gave me a bunch of samples to take away which was very good of them.
Friday, 7 November 2008
screen print induction.
LETTERPRESS!!!
To create the above type I chose to use 18pt Clarendon Bold and 23pt leading.
Things to remember:
- make sure all the notches on each letter are facing upwards so that the type reads correctly when printed.
- use middles for the spaces between words.
- use thins for the spacing between punctuation.
- quads are used as padding to fill the gaps.
- also when creating the said type start from left to right making sure that the type is arranged backwards so that it will be printed correctly.
Monday, 3 November 2008
The process of printing book.
A BOOK OUTLINING THE PHILOSOPHY AND WORKING METHODS OF PRINTING COMPANY TEAM, AS WELL AS DEMONSTRATING THE USE OF INKS, FOILS AND FINISHES IN MULTIPLE PRINTING COMBINATION'S.
CONTAINS 64 PAGES, 24 WITH COLOUR DIAGRAMS. OFFSET LITHO 15 COLOURS PLUS FOIL BLOCKING, EMBOSSING, DIE CUTTING AND UV VARNISHING.
Tuesday, 21 October 2008
Letterpress.
The letterpress process is referred to as a "relief" process because the printed image is produced from a plate in which the image area is slightly raised above the non-image surface of the plate. It is a direct printing method in that the inked plate applies the image directly to the substrate. Letterpress is one of the oldest printing processes and was the most widely used process until the middle of the 20th century when advances in other printing processes made it obsolete. Flexography, which is an updated version of letterpress, is now the dominate relief printing process.
The letterpress process utilizes an ink that is thick in consistency and is well suited for relief printing. A set of rollers deposits the ink on the raised image area of the type or plate, but ink is not deposited on the non-image areas. For this reason, letterpress plates do not require any dampening in order to keep the non-image areas free of ink. This makes the process a simple one and allows for consistent results, but the process still cannot match the quality of more sophisticated print processes.
Monday, 20 October 2008
Gravure.
Gravure is used for many packaging applications, magazines, and pressure sensitive labels. Gravure is the preferred method of producing magazines and catalogs that have large circulations. An example of a high volume, high quality publication that utilizes rotogravure is the "National Geographic" magazine.
There are also many specialty items that are created with rotogravure including gift wrap, wallpaper, plastic laminates, printed upholstery, imitation wood grain finishes, and vinyl flooring. Many of the specialty items are printed on very wide presses. Some of them, such as those that print patterns on floor coverings, are up to 150 inches wide.
A gravure sheet-fed process is used for smaller runs for such items as limited edition prints and other artwork, photographic books, high denomination postage stamps, stock certificates, and some advertising pieces.
Flexography.
Flexography is a printing process which utilizes a flexible relief plate that can be adhered to a printing cylinder. It is basically an updated version of letterpress. It much more versatile than letterpress in that it can be used for printing on almost any type of media including plastic, metallic films, cellophane, and paper. It is widely used for printing on the non-porous stocks required for various types of food packaging. It is also well suited for printing large areas of solid color.
Other common applications printed with flexography include gift wrap, wall covering, magazines, newspaper inserts, paperback books, telephone directories, and business forms.
Offset Lithography.
Advantages of offset printing compared to other printing methods include:
- Consistent high image quality. Offset printing produces sharp and clean images and type more easily than letterpress printing because the rubber blanket conforms to the texture of the printing surface.
- Quick and easy production of printing plates.
- The more you print, the less you pay per page, because most of the price goes into the preparation undergone before the first sheet of paper is printing and ready for distribution. Any additional paper print will only cost the client paper price (and ink), which is very minimal.
Sunday, 19 October 2008
Pad printing.
Pad printing is a printing process that can transfer a 2-D image onto a 3-D object. This is accomplished using an indirect offset (gravure) printing process that involves an image being transferred from the printing plate (cliché) via a silicone pad onto a substrate (surface to be printed). Pad printing is used for printing on otherwise impossible products in many industries including medical, automotive, promotional, apparel, electronics, appliances, sports equipment and toys.
Example of the uses of Pad printing:
- Letters on computer keyboards and calculator keys
- TV and computer monitors
- Identification labels and serial numbers for many applications.
Screen Print.
Screen printing has been used for centuries and although there have been many improvements with the technology, the process still consists of forcing ink through a stencil covered fabric or wire mesh which has been mounted in a sturdy frame. The ink goes through only the open areas of the stencil and is deposited onto a printing surface positioned below the frame. Screen printing is very versatile and it is often the only printing process capable of handling certain applications.
The equipment costs for screen printing are lower than other printing processes, but the rate of production is usually slower. Manual screen printing can be accomplished with only a few simple items: a sturdy frame, screen fabric, stencils, squeegees, and ink. Automatic press equipment is available which greatly speeds up the process, but it is no match for the output delivered by press equipment used for other print processes.
Screen printing can be performed on almost any type of material including paper, glass, fabric, plastic, wood, and metal. Products as varied as signs, posters, circuit boards, mugs, clothing, and soft drink bottles can be printed using the process. Screen printing is very useful when an image needs to be wrapped around an object or when images need to be printed onto oddly shaped manufactured objects.
Saturday, 18 October 2008
Digital printing.
Friday, 17 October 2008
Up Top Disco.
Thursday, 16 October 2008
Hacienda 15th birthday poster.
This is a Blanka designed replica of the Mark Farrow-designed Haçienda 15th birthday poster, which is printed in three spot colours and a reflective ink.
As quoted from the serif website:
“We designed this poster to celebrate the 15th birthday of the Haçienda.” Farrow explains, “We had no idea at the time that it would be the club’s last. The code 51 15 25 05 97 (FAC 51 is 15 on 25 05 97) was printed in a reflective ink onto a grey background which rendered it almost invisible in daylight. The poster only came to life at night under the glare of car headlights. Our reasoning being that the message was only important to people who were out after dark.”